Julien Baker with Snarls

Date/Time
Date(s) - April 17, 2020
8:00 pm - 10:00 pm


OU Students: Limited number of free tickets available until April 6th. Contact mediaschool@ohio.edu to request tickets. Limit one per person.

BOB BOILEN OF NPR MUSIC PRESENTS JULIEN BAKER WITH SNARLS

Bob Boilen of NPR Music Presents Julien Baker with a special guest at Stuart’s Opera House! Snarls will open the show. This show is presented in collaboration with The Ohio University Scripps College of Communication, in partnership with the Ohio University Performing Arts & Concert Series, the School of Media Arts & Studies, the E.W. Scripps School of Journalism, WOUB Public Media, Stuart’s Opera House, and Arts for OHIO. Boilen, host of NPR’s “All Songs Considered” and the creator and host of NPR’s “Tiny Desk Concerts,” will host the evening. A limited number of free tickets are available for Ohio University students by contacting mediaschool@ohio.edu for more info.

Julien Baker’s solo debut, Sprained Ankle, was one of the most widely acclaimed works of 2015. The album, recorded by an 18-year-old and her friend in only a few days, was a bleak yet hopeful, intimate document of staggering experiences and grace, centered entirely around Baker’s voice, guitar, and unblinking honesty. Sprained Ankle appeared on year-end lists everywhere from NPR Music to The AV Club to New York Magazine’s Vulture.

With Turn Out The Lights, the now 21-year-old Baker returns to a much bigger stage, but with the same core of breathtaking vulnerability and resilience. From its opening moments —when herchiming, evocative melody is accompanied by swells of strings —Turn Out The Lights throws open the doors to the world without sacrificing the intimacy that has become a hallmark of her songs. The album explores how people live and come to terms with their internal conflict, and the alternately shattering and redemptive ways these struggles playout in relationships. Baker casts an unflinching and accepting eye on the duality of –and contradictions in –the human experience, at times evenfinding humor and joy in the midst of suffering. She ultimately calls on herlisteners to move beyond “good” and “bad,” or “happy” and “sad,” to embrace more complex truths.

The album was recorded at the legendary Ardent Studios in her hometown of Memphis, TN, and mixed by Craig Silvey (The National, Florence & the Machine, Arcade Fire). This evolution fromSprained Ankle’sintentionally spareproduction allowed greater scope and freedom for Baker,who is still the album’s sole writer and producer. Strings and woodwinds now shade the corners of her compositions, and Baker takes topiano rather than guitar on several tracks. In songs like the epic “Claws In Your Back,” these new textures push Baker’s work to cinematic heights of intensity.

As always, the real draw is her songwriting and lyricism. Turn Out The Lights is more expansive in sound and vision than Sprained Ankle and illustrates significant growth, yet the album retains the haunting delicacy of her heartbreakingly confessional style. Where her debut focused inward on Baker’s life and aspects of her identity (female, queer, Christian),Turn Out The Lights reflects on not only her own experiences, but also the experiences of those closest to her.The result finds Baker narrating a deliberate meditation on how we each try to deal with our ever-shifting mental health, and the impact this can have on both ourselves and others. The album sets out to address howthe process of coping withinternal conflicts affects different relationships –romantic, familial, and friendly. Baker turns outward to embrace the challenges of the human experience, weaving personal struggles together into one surprisingly hopeful chorus.

The album is bookended by “Appointments” and “Claws in Your Back,” two songs that deal with the precarious balance between nihilism and realism. “A lot of stuff happened in my life that was rapid change, and it felt like it could not get any worse,” Baker says of “Appointments.” “I was like, I have reached critical mass for this amoeba of sadness and it cannot possibly turn out all right. But for the sake of my continuing to exist, I have to believe that it will.”

The resulting song (“I think if I ruin this, then I know I can live with it,” Baker sings) cuts to the core of Baker’s uniquely clear-eyedtake on human suffering. She resists facile conclusion sand never glamorizes the extremes she depicts;yet she continually holds out the possibility of joy and solidarity. On “Claws In Your Back,” she turns her own hard-won determination to thrive into a rallying cry for her friends(“I think I can love the sickness you made. I take it all back, I change my mind.I wanted to stay”).

Even as Turn Out The Lights explores broken relationships (“Sour Breath”), the search for a cure that may not exist (“Everything To Help You Sleep”), and the impossibility of ever truly understanding each other (“Shadowboxing”), Baker continually returns to the possibility of joy. “I don’t believe in the ‘fixing’ part, where what healing means is that you no longer get sad or experience grief or have panic attacks,” Baker says. “Happy is kind of a fleeting and transient emotion. It is not a destination that you can get to by exerting enough mental effort. I believe that joy is something that you can invite into your present circumstance. Whereas happiness seems to be this horizon that’s eternally getting further from you, joy is something that you can inhabit.”

It’s this call to joy even in moments of otherwise total darkness that makes her music a refuge for her fans. Turn Out The Lights is ultimately a healing experience, and it’s impossible not to feel Baker’s unyielding compassion for the messy and beautiful human experience. “When I talk about things in myself I find ugly and unlovable, they are the most effective tools for connecting with other people, for helping other people heal,” she says. “And that helps me heal.”

SNARLS

Snarls spent 2019 quietly blooming—two songs landed this Columbus, OH four-piece on Stereogum’s Top 100 Songs and Best New Bands honor rolls. 2020 is the year they blossom into a band to watch. Debut LP Burst finds the next charming coming-of-age story in shimmering character drama (2019 standout “Walk in the Woods”), woozy indie-pop (“Hair”), and blue-eyed existentialism (“Concrete”). Snarls’ songwriting is as unfiltered and spectral as growing into one’s own should be, but it promises just as an enchanting listen for those outside looking in.

Though their Bandcamp descriptor “glitter emo alt rock” is apt, the power of Snarls lay in their heart. Not their crushes or their friendships, though they’re plenty fine in themselves, but in the way they sing their dream-pop choruses. – Stereogum

Columbus, Ohio’s snarls describe themselves as a “glitter emo alt-rock” group. “Walk In The Woods” leans more on the latter half of that descriptor but is more than enough to get you excited about their upcoming debut, Burst.- Fader

Featuring lovelorn dual vocals over dreamy, reverb-soaked guitars, it mixes the best of emo and shoegaze into a powerful package with a sing-along chorus that confesses “I can’t quit you, baby! No matter how hard I try!” Like, what more could you want?- MTV

Friday, April 17, 2020 at 8:00pm
Floor Seats: $20/advance • $23/door | Balcony: $20/advance • $23/door | Box Seats: $25/advance • $28/door

Location
Stuarts Opera House

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